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This is a beautiful album of instrumental compositions for ... Read more

This is a beautiful album of instrumental compositions for UD written by Kamal Hors a highly regarded composer and player. The atmosphere of the album is distinctly Arabic yet sparse in its approach. The rich and varied tones of the instruments of Kamals heart ring like night sounds in the Moroccan desert. Rhythmic and textural accompaniment is provided by two other expert Ud players and the whole thing is given an exquisite Indian twist with the presence of Sandip Bhattacharya on tabla’s. Minimize

This is a beautiful album of instrumental compositions for ... Read more

This is a beautiful album of instrumental compositions for UD written by Kamal Hors a highly regarded composer and player. The atmosphere of the album is distinctly Arabic yet sparse in its approach. The rich and varied tones of the instruments of Kamals heart ring like night sounds in the Moroccan desert. Rhythmic and textural accompaniment is provided by two other expert Ud players and the whole thing is given an exquisite Indian twist with the presence of Sandip Bhattacharya on tabla’s. Minimize

This is a beautiful album of instrumental compositions for ... Read more

This is a beautiful album of instrumental compositions for UD written by Kamal Hors a highly regarded composer and player. The atmosphere of the album is distinctly Arabic yet sparse in its approach. The rich and varied tones of the instruments of Kamals heart ring like night sounds in the Moroccan desert. Rhythmic and textural accompaniment is provided by two other expert Ud players and the whole thing is given an exquisite Indian twist with the presence of Sandip Bhattacharya on tabla’s. Minimize

British girl singers did not comprise the healthiest subgen ... Read more

British girl singers did not comprise the healthiest subgenre of 1960s rock. And since this 22-track compilation of female-sung British pop/rock from 1962-1971 does not include any big names except for Cilla Black (represented by her 1968 B-side Work Is a Four Letter Word) and Helen Shapiro (with her self-penned 1964 B-side He Knows How to Love Me) you might not ready yourself for a stunning experience. It isn't brilliant but actually it's a pretty fair and fun collection of obscurities. Some other names might be faintly remembered (in the U.K. not the U.S.) such as Samantha Jones and Elkie Brooks but for the most part these are no-names working in a vein combining British Invasion sounds with American girl-group/soul-influenced production. Some of the more memorable outings include Jones' wispy Somebody Else's Baby Guillivers People's solid adaptation of Jackie DeShannon's Splendour in the Grass Linda Laine & the Sinners' wistful and folky Don't Do It Baby and Carol Elvin's Don't Leave Me which sounds instantly suitable for a British mid-'60s film soundtrack. As a change of pace there's also the folk-pop of the Levee Breakers' 1965 single Babe I'm Leaving You featuring the voice of Beverley who would become a noted part of the 1970s folk-rock scene as part of a duo with her husband John Martyn. ~ Richie Unterberger Minimize

British girl singers did not comprise the healthiest subgen ... Read more

British girl singers did not comprise the healthiest subgenre of 1960s rock. And since this 22-track compilation of female-sung British pop/rock from 1962-1971 does not include any big names except for Cilla Black (represented by her 1968 B-side Work Is a Four Letter Word) and Helen Shapiro (with her self-penned 1964 B-side He Knows How to Love Me) you might not ready yourself for a stunning experience. It isn't brilliant but actually it's a pretty fair and fun collection of obscurities. Some other names might be faintly remembered (in the U.K. not the U.S.) such as Samantha Jones and Elkie Brooks but for the most part these are no-names working in a vein combining British Invasion sounds with American girl-group/soul-influenced production. Some of the more memorable outings include Jones' wispy Somebody Else's Baby Guillivers People's solid adaptation of Jackie DeShannon's Splendour in the Grass Linda Laine & the Sinners' wistful and folky Don't Do It Baby and Carol Elvin's Don't Leave Me which sounds instantly suitable for a British mid-'60s film soundtrack. As a change of pace there's also the folk-pop of the Levee Breakers' 1965 single Babe I'm Leaving You featuring the voice of Beverley who would become a noted part of the 1970s folk-rock scene as part of a duo with her husband John Martyn. ~ Richie Unterberger Minimize

Loosely based on Latino American pan pipes but constructed ... Read more

Loosely based on Latino American pan pipes but constructed from a strong and robust plastic. Categorized as a folk instrument, pan pipes are played by blowing across the opening of the pipes. Minimize

This captivating collection of American masterpieces for fl ... Read more

This captivating collection of American masterpieces for flute and piano includes an arrangement by Samuel Barber of the second movement of his Piano Concerto entitled Canzone Aaron Copland’s Duo Eldin Burton’s Sonatina sonatas by Lowell Liebermann and Robert Muczynski and a short piece called Voyage by John Corigliano. The performers are the awardwinning Canadian flautist Susan Hoeppner and the pianist Lydia Wong. Minimize

This captivating collection of American masterpieces for fl ... Read more

This captivating collection of American masterpieces for flute and piano includes an arrangement by Samuel Barber of the second movement of his Piano Concerto entitled Canzone Aaron Copland’s Duo Eldin Burton’s Sonatina sonatas by Lowell Liebermann and Robert Muczynski and a short piece called Voyage by John Corigliano. The performers are the awardwinning Canadian flautist Susan Hoeppner and the pianist Lydia Wong. Minimize

Loosely based on Latino American pan pipes but constructed ... Read more

Loosely based on Latino American pan pipes but constructed from a strong and robust plastic. Categorized as a folk instrument, pan pipes are played by blowing across the opening of the pipes. Minimize

Loosely based on Latino American pan pipes and constructed ... Read more

Loosely based on Latino American pan pipes and constructed from a strong and robust Bamboo. Categorized as a folk instrument, pan pipes are played by blowing across the opening of the pipes. Minimize

This captivating collection of American masterpieces for fl ... Read more

This captivating collection of American masterpieces for flute and piano includes an arrangement by Samuel Barber of the second movement of his Piano Concerto entitled Canzone Aaron Copland’s Duo Eldin Burton’s Sonatina sonatas by Lowell Liebermann and Robert Muczynski and a short piece called Voyage by John Corigliano. The performers are the awardwinning Canadian flautist Susan Hoeppner and the pianist Lydia Wong. Minimize