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Officer Dave Brown (Woody Harrelson) is a Vietnam vet and a
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Officer Dave Brown (Woody Harrelson) is a Vietnam vet and a Rampart Precinct cop, dedicated to doing “the people’s dirty work” and asserting his own code of justice, often blurring the lines between right and wrong to maintain his action-hero state of mind. When he gets caught on tape beating a suspect, he finds himself in downward spiral as the consequences of his past sins and his refusal to change his ways in light of a scandal seal his fate.
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United Kingdom released, PAL/Region 2 DVD: LANGUAGES: Engli
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United Kingdom released, PAL/Region 2 DVD: LANGUAGES: English ( Dolby Digital Stereo ), English ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Behind the scenes, Box Set, Interactive Menu, Making Of, Multi-DVD Set, Scene Access, SYNOPSIS: When five outsiders on community service get struck by a flash storm they end up lumbered with special powers. Hard-as-nails Kelly can suddenly hear people's thoughts, shamed sporting hero Curtis discovers he has the ability to turn back time, and party-girl Alisha can send people into a sexual frenzy when they touch her skin. Even painfully shy Simon can make himself invisible, which makes it all the more hard to swallow for smart-alec Nathan, who seems to have been unaffected... or has he?Unlike their more conventional counterparts, our misfits don't swap their ankle tags and mobile phones for capes and tights. Instead, they discover just how tough life can be when you're stuck with a super power you didn't want. SCREENED/AWARDED AT: BAFTA Awards, ...Misfits - Series 1 & 2 - 4-DVD Box Set ( Misfits - Series One & Two )
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A Disney "classic" that actually is a classic, Dumbo should
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A Disney "classic" that actually is a classic, Dumbo should be part of your movie collection whether or not you have children. The storytelling was never as lean as in Dumbo, the songs rarely as haunting (or just plain weird), the characters rarely so well defined. The film pits the "cold, cruel, heartless" world that can't accept abnormality against a plucky, and mute, hero. Jumbo Jr. (Dumbo is a mean-spirited nickname) is ostracised from the circus pack shortly after his delivery by the stork because of his big ears. His mother sticks up for him and is shackled. He's jeered by children (an insightful scene has one boy poking fun at Dumbo's ears, even though the youngster's ears are also ungainly), used by the circus folk, and demoted to appearing with the clowns. Only the decent Timothy Q. Mouse looks out for the little guy. Concerns about the un-PC "Jim Crow" crows, who mock Dumbo with the wonderful "When I See an Elephant Fly", should be moderated by remembering that the crows are the only social group in the film who act kindly to the little outcast. If you don't mist up during the "Baby Mine" scene, you may be legally pronounced dead. --Keith Simanton
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Steven Spielberg had a banner year in 1993. He scored one o
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Steven Spielberg had a banner year in 1993. He scored one of his biggest commercial hits that summer with the mega-hit Jurassic Park, but it was the artistic and critical triumph of Schindler's List that Spielberg called "the most satisfying experience of my career". Adapted from the best-selling book by Thomas Keneally and filmed in Poland with an emphasis on absolute authenticity, Spielberg's masterpiece ranks among the greatest films ever made about the Holocaust during World War II. It's a film about heroism with an unlikely hero at its center--Catholic war profiteer Oskar Schindler (Liam Neeson), who risked his life and went bankrupt to save more than 1,000 Jews from certain death in concentration camps. By employing Jews in his crockery factory manufacturing goods for the German army, Schindler ensures their survival against terrifying odds. At the same time, he must remain solvent with the help of a Jewish accountant (Ben Kingsley) and negotiate business with a vicious, obstinate Nazi commandant (Ralph Fiennes) who enjoys shooting Jews as target practice from the balcony of his villa overlooking a prison camp. Schindler's List gains much of its power not by trying to explain Schindler's motivations, but by dramatising the delicate diplomacy and determination with which he carried out his generous deeds. As a drinker and womanizer who thought nothing of associating with Nazis, Schindler was hardly a model of decency; the film is largely about his transformation in response to the horror around him. Spielberg doesn't flinch from that horror, and the result is a film that combines remarkable humanity with abhorrent inhumanity--a film that functions as a powerful history lesson and a testament to the resilience of the human spirit in the context of a living nightmare. --Jeff Shannon
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United Kingdom released, PAL/Region 2 DVD: LANGUAGES: Engli
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United Kingdom released, PAL/Region 2 DVD: LANGUAGES: English ( Dolby Digital Stereo ), English ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Behind the scenes, Box Set, Interactive Menu, Making Of, Multi-DVD Set, Scene Access, SYNOPSIS: When five outsiders on community service get struck by a flash storm they end up lumbered with special powers. Hard-as-nails Kelly can suddenly hear people's thoughts, shamed sporting hero Curtis discovers he has the ability to turn back time, and party-girl Alisha can send people into a sexual frenzy when they touch her skin. Even painfully shy Simon can make himself invisible, which makes it all the more hard to swallow for smart-alec Nathan, who seems to have been unaffected... or has he?Unlike their more conventional counterparts, our misfits don't swap their ankle tags and mobile phones for capes and tights. Instead, they discover just how tough life can be when you're stuck with a super power you didn't want. SCREENED/AWARDED AT: BAFTA Awards, ...Misfits - Series 1 & 2 - 4-DVD Box Set ( Misfits - Series One & Two )
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You may be surprised to discover that the director of the L
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You may be surprised to discover that the director of the Lethal Weapon movies and scary horror flick The Omen, Richard Donner, also produced and directed this classic children's adventure (which, by the way, was written by Donner's screen-wizard friend Steven Spielberg). Then again you may not. The Goonies, like Donner's other movies, is the same story of good versus evil. It has its share of bad guys (the Fratelli brothers and their villainous mother), reluctant-hero good guys (the Walsh bothers and their gang of friends), and lots of corny one-liners. Like in an old-fashioned Hardy Boys or Nancy Drew plot, the Goonies need to solve a problem: a corrupt corporate developer has bought out their neighbourhood and plans to flatten all their homes. Luckily, the beloved gang stumbles on a treasure map. In the hopes of finding the treasure to buy back their houses, the Goonies embark on their quest through underground passages, aboard pirate ships, and behind waterfalls. This swashbuckling and rollicking ride was also a great breeding ground for a couple of child actors who went on to enjoy numerous successes in adulthood: Sean Astin (Rudy, Encino Man) and Martha Plimpton (Pecker, 200 Cigarettes). --Samantha Allen Storey, Amazon.com
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The common people of Rome are hungry – never has the social
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The common people of Rome are hungry – never has the social inequality between themselves and the wealthy ruling classes been so apparent. Riots are widespread and the people’s fury rapidly becomes focussed on the Republic’s most courageous general, Caius Martius (Ralph Fiennes), who has publicly expressed his scorn for their suffering. But, Rome is also at war with the Volsces, a neighbouring state whose guerrilla-style army is led by Martius’s sworn enemy, Tullus Aufidius (Gerard Butler). Following the latest, brazen Volscian taunt, Martius and his comrade-at-arms Titus Lartius (Dragan Micanovic) are called to a council of war by their commanding officer, General Cominius (John Kani). Rome must retaliate. Martius’s outstanding courage and leadership on the field of battle secures the Volscian city of Corioles for Rome. It is a crushing defeat for the Volscians and, in honour of his victory, Martius is awarded the title ‘Coriolanus’, meaning conqueror of Corioles. The anger of the Roman people has now subsided and Coriolanus has become a hero. With his recent triumph, Coriolanus’s politically ambitious mother Volumnia (Vanessa Redgrave) joyfully anticipates her son being elected to the powerful Senate position of Consul. Influential Roman Senator, and Coriolanus’s political mentor, Menenius (Brian Cox) encourages him. Always in the background, Coriolanus’s gentle and loving wife, Virgilia (Jessica Chastain), worries for her husband’s continued safety. To become Consul, Coriolanus knows he must first secure the people’s support and at first he is loath to engage in the necessary glad-handing. He sees it as hypocritical and an affront to his personal honour code. Under pressure, he finally relents but, not a natural politician, he handles his canvassing without the required good grace and arouses ill feeling in his audience. His past public declarations have already established him as a threat to the people in the minds of their representatives, the Tribunes. And now the conspiratorial Tribunes, Brutus (Paul Jesson) and Sicinius (James Nesbitt) take full advantage of Coriolanus’s rapid fall from public favour to persuade voters to refuse him the office he seeks. The Tribunes campaign is further supported by an underground group of left-wing rebels, led by Cassius (Ashraf Barhom) and Tamora (Lubna Azabal), who also speak out against Coriolanus’s election. Their combined arguments work and he is defeated. Coriolanus is enraged and his verbal retaliation leads to further public rioting. Disgraced, the Senate banishes him from Rome. Now stateless and seeking revenge for Rome’s ingratitude and treachery, Coriolanus journeys to the city of Antium, the Volscian capital and home to his enemy, Tullus Aufidius. With nothing to lose, he seeks out his old adversary and boldly offers him a choice. Aufidius can either take Coriolanus’s life or accept his help in defeating Rome. Confronted by his greatest enemy, Aufidius must decide whether to finally destroy his rival or join forces with him in battle….
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A minor classic from Disney, this 1973 all-animal, all-anim
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A minor classic from Disney, this 1973 all-animal, all-animated musical version of the familiar story of Robin Hood is more charming than one might expect. Perhaps it's the warm, chummy take on key relationships within the legend--the way Robin Hood (Brian Bedford) gets twitterpated whenever the subject of Maid Marian (Monica Evans) comes up or the way best pal Little John (Phil Harris voicing a variation on his own Baloo from The Jungle Book) admonishes the Sherwood Forest hero, "Aw, Rob, why dontcha just marry the girl?" (Then, of course, there's the canny "casting" of the romantic leads as foxes: Robin the sly one and Marian the, well, foxy one.) The rest of the vocal cast is lively and eclectic: Peter Ustinov, Andy Devine, Terry Thomas, George Lindsey. Roger Miller provides the songs and voice for the minstrel character Allan-A-Dale. The film is ably directed by Wolfgang Reitherman, whose decades of work in Disney's animation division helped create the studio's rich legacy. --Tom Keogh, Amazon.com
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The good news is, Dr. Watson does get married. The bad news
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The good news is, Dr. Watson does get married. The bad news is, Sherlock Holmes throws his bride off a moving train. Actually, there's even worse news than that--but all will be explained in Sherlock Holmes: A Game of Shadows, the sequel to Guy Ritchie's 2009 hit. Robert Downey Jr. and Jude Law return to their roles as Holmes and Watson, as the duo take on the world's greatest criminal mind, Professor Moriarty (Jared Harris), a man whose latest scheme has global implications. Sherlockians who prefer their consulting detective to remain in a traditional mode had best look the other way, for the sequel continues Ritchie's vision of Holmes as a hard-punching action hero hurtling through a barrage of special effects sequences. If you can go with that, A Game of Shadows actually improves on the first film: the story makes a little more sense (or possibly the whole thing moves so smoothly you don't notice the illogic), Harris is a delicious villain, and new cast members Noomi Rapace (from the Swedish Girl with the Dragon Tattoo series) and Stephen Fry (playing Sherlock's brother Mycroft, who calls his sibling "Sherlie") add appeal. It's all frivolous and superficial, but the film's playful attitude and breathless forward motion are skillfully managed--and the final note adds just the right punctuation. --Robert Horton
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The common people of Rome are hungry – never has the social
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The common people of Rome are hungry – never has the social inequality between themselves and the wealthy ruling classes been so apparent. Riots are widespread and the people’s fury rapidly becomes focussed on the Republic’s most courageous general, Caius Martius (Ralph Fiennes), who has publicly expressed his scorn for their suffering. But, Rome is also at war with the Volsces, a neighbouring state whose guerrilla-style army is led by Martius’s sworn enemy, Tullus Aufidius (Gerard Butler). Following the latest, brazen Volscian taunt, Martius and his comrade-at-arms Titus Lartius (Dragan Micanovic) are called to a council of war by their commanding officer, General Cominius (John Kani). Rome must retaliate. Martius’s outstanding courage and leadership on the field of battle secures the Volscian city of Corioles for Rome. It is a crushing defeat for the Volscians and, in honour of his victory, Martius is awarded the title ‘Coriolanus’, meaning conqueror of Corioles. The anger of the Roman people has now subsided and Coriolanus has become a hero. With his recent triumph, Coriolanus’s politically ambitious mother Volumnia (Vanessa Redgrave) joyfully anticipates her son being elected to the powerful Senate position of Consul. Influential Roman Senator, and Coriolanus’s political mentor, Menenius (Brian Cox) encourages him. Always in the background, Coriolanus’s gentle and loving wife, Virgilia (Jessica Chastain), worries for her husband’s continued safety.To become Consul, Coriolanus knows he must first secure the people’s support and at first he is loath to engage in the necessary glad-handing. He sees it as hypocritical and an affront to his personal honour code. Under pressure, he finally relents but, not a natural politician, he handles his canvassing without the required good grace and arouses ill feeling in his audience. His past public declarations have already established him as a threat to the people in the minds of their representatives, the Tribunes. And now the conspiratorial Tribunes, Brutus (Paul Jesson) and Sicinius (James Nesbitt) take full advantage of Coriolanus’s rapid fall from public favour to persuade voters to refuse him the office he seeks. The Tribunes campaign is further supported by an underground group of left-wing rebels, led by Cassius (Ashraf Barhom) and Tamora (Lubna Azabal), who also speak out against Coriolanus’s election. Their combined arguments work and he is defeated. Coriolanus is enraged and his verbal retaliation leads to further public rioting. Disgraced, the Senate banishes him from Rome. Now stateless and seeking revenge for Rome’s ingratitude and treachery, Coriolanus journeys to the city of Antium, the Volscian capital and home to his enemy, Tullus Aufidius. With nothing to lose, he seeks out his old adversary and boldly offers him a choice. Aufidius can either take Coriolanus’s life or accept his help in defeating Rome. Confronted by his greatest enemy, Aufidius must decide whether to finally destroy his rival or join forces with him in battle….
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Political drama doesn't get more near the knuckle than Mich
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Political drama doesn't get more near the knuckle than Michael Dobbs' House of Cards trilogy, adapted for the screen by Andrew Davies and originally broadcast in the post-Thatcher years of the early 1990s. A splendid dissection of naked ambition, greed and rampant hypocrisy in the corridors of power, the original four-part series House of Cards documents in thrilling detail the rise of Tory Chief Whip Francis Urquhart (magnificent Ian Richardson), a man who likes to "put the stick about a bit" and has unwavering contempt for those with "no background, no bottom". With the downfall of Margaret Thatcher, a bitter internecine power struggle ensues within the Conservative Party. Urquhart schemes more devilishly than Iago to depose Thatcher's colourless John Major-style successor. And even Machiavelli would baulk at Urquhart's methods: any and every act--including murder--are legitimate as the end very much justifies the means. Idealistic journalist Matti Storin (Susannah Harker) becomes embroiled in Urquhart's nefarious plans (and ends up in his bed) as she attempts to question him about what's really going on: "You might think so, I couldn't possibly comment," is Urquhart's mantra of hypocrisy. In To Play the King, the second part of the trilogy, we find our anti-hero comfortably installed as PM at No. 10 but facing a fresh challenge in the person of the newly crowned King (Michael Kitchen in a pitch-perfect Prince Charles impersonation), who wears his social conscience on his sleeve and publicly opposes Urquhart's hardline policies. With the help of political analyst and new mistress Sarah Harding (Kitty Aldridge), as well as that of his ambitious wife Elizabeth (Diane Fletcher), Urquhart is forced to resort to still more underhand plots. Then, in The Final Cut, we find Urquhart determined to last as long in office as Mrs Thatcher (whose statue, much to his chagrin, is about to be unveiled in front of his window). But ambitions to make a mark on the world stage, as well as his wife's desire to provide themselves a comfortable retirement nest egg, lead him into the choppy international waters of the Cyprus situation. The temptations of corrupt businessmen and his wife's goading might just have pushed Urquhart's luck too far this time. Throughout, Richardson is a delight as the hypocritical, arrogant patrician who loathes the hoi polloi whose favour he must court at election time, and manipulates all his minions with a ruthless singlemindedness of purpose. However much a monster he seems, though, the viewer might just find themselves secretly admiring his determination and his lion-like strength of will: in contrast to many drab modern politicians, at least he knows what he wants, and makes sure he gets it. If it's strong leadership you want, Urquhart's your man. On the DVD: The House of Cards trilogy has the three four-part series on three double-sided discs, with two hour-long episodes on each side of each disc. The first episodes come with a commentary from Andrew Davies and Ian Richardson, who share their memories and anecdotes. --Mark Walker
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The good news is, Dr. Watson does get married. The bad news
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The good news is, Dr. Watson does get married. The bad news is, Sherlock Holmes throws his bride off a moving train. Actually, there's even worse news than that--but all will be explained in Sherlock Holmes: A Game of Shadows, the sequel to Guy Ritchie's 2009 hit. Robert Downey Jr. and Jude Law return to their roles as Holmes and Watson, as the duo take on the world's greatest criminal mind, Professor Moriarty (Jared Harris), a man whose latest scheme has global implications. Sherlockians who prefer their consulting detective to remain in a traditional mode had best look the other way, for the sequel continues Ritchie's vision of Holmes as a hard-punching action hero hurtling through a barrage of special effects sequences. If you can go with that, A Game of Shadows actually improves on the first film: the story makes a little more sense (or possibly the whole thing moves so smoothly you don't notice the illogic), Harris is a delicious villain, and new cast members Noomi Rapace (from the Swedish Girl with the Dragon Tattoo series) and Stephen Fry (playing Sherlock's brother Mycroft, who calls his sibling "Sherlie") add appeal. It's all frivolous and superficial, but the film's playful attitude and breathless forward motion are skillfully managed--and the final note adds just the right punctuation. --Robert Horton
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The good news is, Dr. Watson does get married. The bad news
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The good news is, Dr. Watson does get married. The bad news is, Sherlock Holmes throws his bride off a moving train. Actually, there's even worse news than that--but all will be explained in Sherlock Holmes: A Game of Shadows, the sequel to Guy Ritchie's 2009 hit. Robert Downey Jr. and Jude Law return to their roles as Holmes and Watson, as the duo take on the world's greatest criminal mind, Professor Moriarty (Jared Harris), a man whose latest scheme has global implications. Sherlockians who prefer their consulting detective to remain in a traditional mode had best look the other way, for the sequel continues Ritchie's vision of Holmes as a hard-punching action hero hurtling through a barrage of special effects sequences. If you can go with that, A Game of Shadows actually improves on the first film: the story makes a little more sense (or possibly the whole thing moves so smoothly you don't notice the illogic), Harris is a delicious villain, and new cast members Noomi Rapace (from the Swedish Girl with the Dragon Tattoo series) and Stephen Fry (playing Sherlock's brother Mycroft, who calls his sibling "Sherlie") add appeal. It's all frivolous and superficial, but the film's playful attitude and breathless forward motion are skillfully managed--and the final note adds just the right punctuation. --Robert Horton
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Political drama doesn't get more near the knuckle than Mich
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Political drama doesn't get more near the knuckle than Michael Dobbs' House of Cards trilogy, adapted for the screen by Andrew Davies and originally broadcast in the post-Thatcher years of the early 1990s. A splendid dissection of naked ambition, greed and rampant hypocrisy in the corridors of power, the original four-part series House of Cards documents in thrilling detail the rise of Tory Chief Whip Francis Urquhart (magnificent Ian Richardson), a man who likes to "put the stick about a bit" and has unwavering contempt for those with "no background, no bottom". With the downfall of Margaret Thatcher, a bitter internecine power struggle ensues within the Conservative Party. Urquhart schemes more devilishly than Iago to depose Thatcher's colourless John Major-style successor. And even Machiavelli would baulk at Urquhart's methods: any and every act--including murder--are legitimate as the end very much justifies the means. Idealistic journalist Matti Storin (Susannah Harker) becomes embroiled in Urquhart's nefarious plans (and ends up in his bed) as she attempts to question him about what's really going on: "You might think so, I couldn't possibly comment," is Urquhart's mantra of hypocrisy. In To Play the King, the second part of the trilogy, we find our anti-hero comfortably installed as PM at No. 10 but facing a fresh challenge in the person of the newly crowned King (Michael Kitchen in a pitch-perfect Prince Charles impersonation), who wears his social conscience on his sleeve and publicly opposes Urquhart's hardline policies. With the help of political analyst and new mistress Sarah Harding (Kitty Aldridge), as well as that of his ambitious wife Elizabeth (Diane Fletcher), Urquhart is forced to resort to still more underhand plots. Then, in The Final Cut, we find Urquhart determined to last as long in office as Mrs Thatcher (whose statue, much to his chagrin, is about to be unveiled in front of his window). But ambitions to make a mark on the world stage, as well as his wife's desire to provide themselves a comfortable retirement nest egg, lead him into the choppy international waters of the Cyprus situation. The temptations of corrupt businessmen and his wife's goading might just have pushed Urquhart's luck too far this time. Throughout, Richardson is a delight as the hypocritical, arrogant patrician who loathes the hoi polloi whose favour he must court at election time, and manipulates all his minions with a ruthless singlemindedness of purpose. However much a monster he seems, though, the viewer might just find themselves secretly admiring his determination and his lion-like strength of will: in contrast to many drab modern politicians, at least he knows what he wants, and makes sure he gets it. If it's strong leadership you want, Urquhart's your man. On the DVD: The House of Cards trilogy has the three four-part series on three double-sided discs, with two hour-long episodes on each side of each disc. The first episodes come with a commentary from Andrew Davies and Ian Richardson, who share their memories and anecdotes. --Mark Walker
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A minor classic from Disney, this 1973 all-animal, all-anim
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A minor classic from Disney, this 1973 all-animal, all-animated musical version of the familiar story of Robin Hood is more charming than one might expect. Perhaps it's the warm, chummy take on key relationships within the legend--the way Robin Hood (Brian Bedford) gets twitterpated whenever the subject of Maid Marian (Monica Evans) comes up or the way best pal Little John (Phil Harris voicing a variation on his own Baloo from The Jungle Book) admonishes the Sherwood Forest hero, "Aw, Rob, why dontcha just marry the girl?" (Then, of course, there's the canny "casting" of the romantic leads as foxes: Robin the sly one and Marian the, well, foxy one.) The rest of the vocal cast is lively and eclectic: Peter Ustinov, Andy Devine, Terry Thomas, George Lindsey. Roger Miller provides the songs and voice for the minstrel character Allan-A-Dale. The film is ably directed by Wolfgang Reitherman, whose decades of work in Disney's animation division helped create the studio's rich legacy. --Tom Keogh, Amazon.com
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The good news is, Dr. Watson does get married. The bad news
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The good news is, Dr. Watson does get married. The bad news is, Sherlock Holmes throws his bride off a moving train. Actually, there's even worse news than that--but all will be explained in Sherlock Holmes: A Game of Shadows, the sequel to Guy Ritchie's 2009 hit. Robert Downey Jr. and Jude Law return to their roles as Holmes and Watson, as the duo take on the world's greatest criminal mind, Professor Moriarty (Jared Harris), a man whose latest scheme has global implications. Sherlockians who prefer their consulting detective to remain in a traditional mode had best look the other way, for the sequel continues Ritchie's vision of Holmes as a hard-punching action hero hurtling through a barrage of special effects sequences. If you can go with that, A Game of Shadows actually improves on the first film: the story makes a little more sense (or possibly the whole thing moves so smoothly you don't notice the illogic), Harris is a delicious villain, and new cast members Noomi Rapace (from the Swedish Girl with the Dragon Tattoo series) and Stephen Fry (playing Sherlock's brother Mycroft, who calls his sibling "Sherlie") add appeal. It's all frivolous and superficial, but the film's playful attitude and breathless forward motion are skillfully managed--and the final note adds just the right punctuation. --Robert Horton
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