> love actually dvd

Rowan Atkinson reprises his role as the slightly hapless, b ... Read more

Rowan Atkinson reprises his role as the slightly hapless, but still remarkably effective secret agent Johnny English in Johnny English Reborn. Atkinson's deadpan slapstick delivery is in fine form in this sequel to 2003's Johnny English. The sequel actually delivers as an excellent action film, with outstanding cinematography showcasing scenes as diverse as Hong Kong and Tibet, as well as a comedy along the lines of Get Smart. Johnny English Reborn opens in the mountains of Tibet, where a disgraced English has been living in a monastery, learning focus, attentiveness, and martial arts of the avoidance rather than of the über-attack variety. He is suddenly called back into action to serve Her Majesty in the spy agency MI-7, to help take down an international ring of assassins. English is reluctant at first, but then jumps at the chance to avenge the mistakes he made years earlier, and to deploy his new arsenal of skills. Johnny English is a very crisply directed, well-written, and even unpredictable comedy-action spoof, and it just might make fans out of Rowan Atkinson doubters. The timing of the gags is really well done, and Atkinson seems game for just about anything. He is also surrounded by a splendid supporting cast. Gillian Anderson plays the severe new head of MI-7, Pamela, with crisp assurance. Rosamund Pike is the comely Kate, a potential love interest for Agent English. And Daniel Kaluuya plays newbie Agent Tucker, who is assigned to accompany English, and who brings skills (and baggage) of his own. Director Oliver Parker, known mostly for his remakes of classics like Othello and The Importance of Being Earnest, brings a sure vision and entertaining pace to Johnny English Reborn. There's some crude humor, mostly in the form of blows to various groins, but there's no bad language or over-the-top grossness, so Johnny English Reborn is suitable for older kids and teens. --A.T. Hurley Minimize

With no fewer than eight couples vying for our attention, L ... Read more

With no fewer than eight couples vying for our attention, Love Actually is like the London Marathon of romantic comedies, and everybody wins. Having mastered the genre as the writer of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time director Richard Curtis is just like his screenplays: he just wants to be loved, and he'll go to absurdly appealing lengths to win our affection. With Love Actually, Curtis orchestrates a minor miracle of romantic choreography, guiding a brilliant cast of stars and newcomers as they careen toward love and holiday cheer in London, among them the Prime Minister (Hugh Grant) who's smitten with his caterer (Martine McCutcheon); a widower (Liam Neeson) whose young son nurses the ultimate schoolboy crush; a writer (Colin Firth) who falls for his Portuguese housekeeper; a devoted wife and mother (Emma Thompson) coping with her potentially unfaithful husband (Alan Rickman); and a lovelorn American (Laura Linney) who's desperately attracted to a colleague. There's more--too much more--as Curtis wraps his Christmas gift with enough happy endings to sweeten a dozen other movies. That he pulls it off so entertainingly is undeniably impressive; that he does it so shamelessly suggests that his writing fares better with other, less ingratiating directors. --Jeff Shannon Minimize

The third installment of Stephenie Meyer's blockbuster vamp ... Read more

The third installment of Stephenie Meyer's blockbuster vampire series is its most action packed, both in terms of fight scenes and human-vampire-werewolf lovin'. In Eclipse, the vampiric Cullen clan and the werewolves--their sworn enemies--unite against an army of "newborn" vampires, whose remnants of human blood in their veins makes them stronger and more uncontrollable, causing a string of murders in the Seattle area. They've been created by the vengeful vampire Victoria (Bryce Dallas Howard, taking over for Rachelle Lefevre), still keen on destroying human Bella (Kristen Stewart). Thus, Bella is under careful watch, and her undead love Edward (Robert Pattinson) and werewolf best friend Jacob (Taylor Lautner) spend a lot of time arguing over who is the better man for her. (In one hilarious scene where Bella's freezing and only Jacob has the lupine body heat to warm her, he looks over at Edward and cracks, "I am hotter than you." Go Team Jacob!) But there's more at the heart of the triangle than love: Bella, against Edward's warnings, doesn't want to grow older than him and would willingly give up contact with her parents, the chance to grow old with children, and more to be turned into a bloodthirsty vampire. (Jacob's trump card is that Bella wouldn't have to give up her mortality to be with him.) But the unfolding of this love triangle is even clumsier than it was on the page; you're never really convinced Bella has romantic feelings for Jacob, even during their climactic kiss on top of the mountain. This is likely to confuse non-readers of the book series, as Stewart emotes nothing that intones there's a real competition here (clearly, she's Team Edward). Pattinson, on the other hand, appears to have overcome his awkwardness to become a much cooler Edward; Howard, while missing Lefevre's mischief as Victoria, brings her own touch of soft-spoken manipulation; and Billy Burke, as Bella's father Charlie, continues to steal every scene he's in. The other Cullens also get far more play here, notably Rosalie (Nikki Reed), whose revealing back story is touching and tragic, and Jasper (Jackson Rathbone), who trains everyone in combat and who, halfway through the movie, adopts a sudden Southern accent that he didn't have before, once it's revealed he was a Confederate soldier (on a side note, it's mentioned in the books that Jasper can calm the emotions of others, but that trait isn't used in the movie). The climactic fight scene is well staged by director David Slade (30 Days of Night, Hard Candy); the violence, while not bloody, is still more abundant and disturbing than in the previous films; and the sex, while not actually happening between anyone (yet), is certainly on everyone's mind (but Edward wants to get married first). It seems the characters, and the series, are growing up. --Ellen A. Kim Minimize

Avid Pro Tools 10 [w/DVDs] - The industry leading digital a ... Read more

Avid Pro Tools 10 [w/DVDs] - The industry leading digital audio workstation (DAW) Pro Tools gets a major update. Avid's flagship software Pro Tools 10 features a whole host of new features including efficiency and speed improvements, multi-format sessions handled easily and enhanced hardware support. What's new in Pro Tools 10 Speed up editing and mixing with Clip Gain, and easily adjust and match gain levels, pre-mixer Use multiple audio formats in a session-including interleave-without file duplication Record and master higher resolution sound with more headroom in 32-bit floating-point format Get great responsiveness on slower hard drives with the enhanced disk handler Record in low-latency mode, with direct monitoring when using third-party audio interfaces Get the sound of System 5 console EQ and dynamics with the Avid Channel Strip plug-in Get access to over 500 additional Pro Tools commands when using EUCON controllers Work more easily with AudioSuite-rendered clips with reverse processing, handles, and more Create extra long-format projects for sequential versioning with the extended 24-hour timeline Open fade-heavy sessions faster and get better responsiveness with real-time fades Export mixes directly to SoundCloud to share and promote your music to the world Here's what Avid say about Pro Tools 10Mix it up-at higher resolutionWith Pro Tools 10, you can mix multiple audio file formats and bit depths within the same session-including interleaved-without any file duplication to cause project bloat. Plus, with support for 32-bit floating-point file formats, you'll get higher resolution sound when recording or importing, with more headroom to preserve the integrity of your audio from beginning to end.Drive faster-with better performanceGain better Minimize

The third installment of Stephenie Meyer's blockbuster vamp ... Read more

The third installment of Stephenie Meyer's blockbuster vampire series is its most action packed, both in terms of fight scenes and human-vampire-werewolf lovin'. In Eclipse, the vampiric Cullen clan and the werewolves--their sworn enemies--unite against an army of "newborn" vampires, whose remnants of human blood in their veins makes them stronger and more uncontrollable, causing a string of murders in the Seattle area. They've been created by the vengeful vampire Victoria (Bryce Dallas Howard, taking over for Rachelle Lefevre), still keen on destroying human Bella (Kristen Stewart). Thus, Bella is under careful watch, and her undead love Edward (Robert Pattinson) and werewolf best friend Jacob (Taylor Lautner) spend a lot of time arguing over who is the better man for her. (In one hilarious scene where Bella's freezing and only Jacob has the lupine body heat to warm her, he looks over at Edward and cracks, "I am hotter than you." Go Team Jacob!) But there's more at the heart of the triangle than love: Bella, against Edward's warnings, doesn't want to grow older than him and would willingly give up contact with her parents, the chance to grow old with children, and more to be turned into a bloodthirsty vampire. (Jacob's trump card is that Bella wouldn't have to give up her mortality to be with him.) But the unfolding of this love triangle is even clumsier than it was on the page; you're never really convinced Bella has romantic feelings for Jacob, even during their climactic kiss on top of the mountain. This is likely to confuse non-readers of the book series, as Stewart emotes nothing that intones there's a real competition here (clearly, she's Team Edward). Pattinson, on the other hand, appears to have overcome his awkwardness to become a much cooler Edward; Howard, while missing Lefevre's mischief as Victoria, brings her own touch of soft-spoken manipulation; and Billy Burke, as Bella's father Charlie, continues to steal every scene he's in. The other Cullens also get far more play here, notably Rosalie (Nikki Reed), whose revealing back story is touching and tragic, and Jasper (Jackson Rathbone), who trains everyone in combat and who, halfway through the movie, adopts a sudden Southern accent that he didn't have before, once it's revealed he was a Confederate soldier (on a side note, it's mentioned in the books that Jasper can calm the emotions of others, but that trait isn't used in the movie). The climactic fight scene is well staged by director David Slade (30 Days of Night, Hard Candy); the violence, while not bloody, is still more abundant and disturbing than in the previous films; and the sex, while not actually happening between anyone (yet), is certainly on everyone's mind (but Edward wants to get married first). It seems the characters, and the series, are growing up. --Ellen A. Kim Minimize

Self-Adhesive Photo Gloss DVD Labels for Laser or Inkjet Pr ... Read more

Self-Adhesive Photo Gloss DVD Labels for Laser or Inkjet Printing. 117mm diameter, 17mm hole. Full Face.Self-adhesive gloss paper labels on A4 sheets, with a permanent adhesive, 2 labels per sheet.Product Code LPCD117 GWPQ. Compatible with * Avery Labels Printing Template L7676 *. (* see below)Specifically manufactured for use on laser or inkjet printers. Ideal for labelling CD & DVD disks. Minimize

Teen heartthrob Zac Efron (High School Musical, 17 Again) m ... Read more

Teen heartthrob Zac Efron (High School Musical, 17 Again) makes an appealing, and wise, choice as the star of Charlie St. Cloud. Efron is able to flex his dramatic acting abilities and can stretch, ever so slightly, into a more adult role, without alienating or being off-putting to his dedicated young fans. And Efron shows signs of being a terrific young actor, with nuanced skills that have perhaps been overlooked until now, because of his appealing pinup-boy looks. Efron is delicious eye candy in Charlie St. Cloud, no question (though he has to share some of that role with the beautiful British Columbia coastline where the film is set), but he also carries the entire film, which manages to be family drama, tragedy, adventure, and budding love story--with a good dose of "live your life to the fullest" advice built in. Efron plays the title character, a gifted student and sailor who gets a full scholarship to Stanford. But right after graduation, Charlie is involved in a life-changing tragedy--one that shatters his family and his own sense of his place in the world. Efron's Charlie is a lost young man, dedicated to the aftereffects of the tragic accident, and turns from promising young upstart to pitiable recluse--so reclusive that he lives and works at the local graveyard. The entire cast is wonderful, and they put their hearts into the sad, yet ultimately uplifting story. Young Charlie Tahan is winsome as Charlie's younger brother, Sam. Kim Basinger, too long away from the big screen, is grounded and believable as the boys' hard-working single mother. Ray Liotta plays a memorable cameo as a paramedic who helps save Charlie after the accident. And Amanda Crew is spunky and adorable as the independent young sailor with a secret crush on Charlie--the "old" Charlie, who was still interested in embracing life--and with possibly the only lifeline that Charlie might actually grab. The chemistry between Efron and Crew is sparkly, and Efron fans will enjoy seeing their idol in more mature love scenes. But not too mature--the raciest of the romance scenes involves Efron (not Crew) taking off his shirt--to fans' delight. If Charlie St. Cloud isn't too original in its plotting, nor especially crisp in its direction, it doesn't matter--Efron's screen appeal is plenty to propel both the story and the action. Efron fans of all ages will enjoy watching the young actor begin the process of growing up--just a bit--onscreen. --A.T. Hurley Minimize

Rowan Atkinson reprises his role as the slightly hapless, b ... Read more

Rowan Atkinson reprises his role as the slightly hapless, but still remarkably effective secret agent Johnny English in Johnny English Reborn. Atkinson's deadpan slapstick delivery is in fine form in this sequel to 2003's Johnny English. The sequel actually delivers as an excellent action film, with outstanding cinematography showcasing scenes as diverse as Hong Kong and Tibet, as well as a comedy along the lines of Get Smart. Johnny English Reborn opens in the mountains of Tibet, where a disgraced English has been living in a monastery, learning focus, attentiveness, and martial arts of the avoidance rather than of the über-attack variety. He is suddenly called back into action to serve Her Majesty in the spy agency MI-7, to help take down an international ring of assassins. English is reluctant at first, but then jumps at the chance to avenge the mistakes he made years earlier, and to deploy his new arsenal of skills. Johnny English is a very crisply directed, well-written, and even unpredictable comedy-action spoof, and it just might make fans out of Rowan Atkinson doubters. The timing of the gags is really well done, and Atkinson seems game for just about anything. He is also surrounded by a splendid supporting cast. Gillian Anderson plays the severe new head of MI-7, Pamela, with crisp assurance. Rosamund Pike is the comely Kate, a potential love interest for Agent English. And Daniel Kaluuya plays newbie Agent Tucker, who is assigned to accompany English, and who brings skills (and baggage) of his own. Director Oliver Parker, known mostly for his remakes of classics like Othello and The Importance of Being Earnest, brings a sure vision and entertaining pace to Johnny English Reborn. There's some crude humor, mostly in the form of blows to various groins, but there's no bad language or over-the-top grossness, so Johnny English Reborn is suitable for older kids and teens. --A.T. Hurley Minimize

The Terminator was the film that cemented Arnold Schwarzene ... Read more

The Terminator was the film that cemented Arnold Schwarzenegger's place in the action-brawn firmament, and both his and the movie's subsequent iconic status are well deserved. He's chilling as the futuristic cyborg that kills without fear, without love, without mercy. James Cameron's story and direction are pared to the bone and are all the more chillingly effective for it. But don't overlook the contribution of Linda Hamilton, who more than holds her own as the Terminator's would-be victim, Sarah Connor, thus creating--along with Sigourney Weaver in Alien--a new generation of rugged, clear-thinking female action stars. The film's minimalist, malevolent violence is actually scarier than that of its far more expensive, more effects-laden sequel. --Anne Hurley, Amazon.com On the DVD: Rejoice, The Terminator is back, better looking and louder than ever. After years of inferior VHS versions, the cleaned-up print of this DVD is a revelation, as is the digitally remastered Dolby 5.1 soundtrack: from the opening MGM lion's roar to the crunch of Arnie's boots and the pounding of Brad Fiedel's techno-industrial score, both picture and sound are of a quality that belie the movie's age. The first disc has the movie plus a DVD-ROM feature containing three different versions of the screenplay, which can be read scene-by-scene along with the film. On the second disc there are seven deleted scenes, including a fascinating foreshadowing of Sarah Connor's mission in T2, as well as trailers and TV spots. There are also two "making of" featurettes, one being an 18-minute piece from 1992 based around a friendly at-home chat with Cameron and Schwarzenegger ("We did the first Terminator for the cost of your motor home on the second film", jokes director to actor). The hour-long "Other Voices" featurette is an in-depth montage of cast and crew reminiscences covering all aspects of the production from its initial genesis as a fevered nightmare to the "guerrilla" filmmaking of getting the final shots. Script collaborator Bill Wisher neatly sums up the movie as "It's a Wonderful Life, with guns". The second disc also contains a stills archive of production photographs, James Cameron's amazing original conceptual artwork, plus his first story treatment. If you own a player, how can you resist? After all, the Terminator movies are what DVD was invented for. --Mark Walker Minimize

Often overlooked by medical experts, this DVD teaches how t ... Read more

Often overlooked by medical experts, this DVD teaches how the way we use or body can often create disease.. From The Shoulders Up is a gentle exercise prescription for Headaches, Neck Tension, ‘Foggy Brain’, Eye Tension/Eye Strain, Excessive Computer Work and Shoulder Tendonitis. Why do couch potatoes and competitive athletes suffer from the same chronic ailments, disease and pain? It’s because, like most of us, neither group is using their body in the way it was mechanically designed to be used! Biomechanical Scientist, Katy Bowman, has developed a range of DVDs to enable us to apply biomechanics, and analyse our everyday movement for the purpose of reducing disease. From The Shoulders Up offers a simple, natural solution to these conditions by teaching new movement habits and pointing out any current habits that may be causing them or increasing their effect on your health. Complete with a printable exercise program, this DVD offers great expert advice and information in a form that is straight forward and easy to absorb and put into practice. Watch our sample clips before you buy! See our other titles in the Katy Bowman range; ‘Down There’ For Women When Your Doctor Prescribes Exercise Easy Rx..ercise For Diabetics Biomechanics For Strong Bones ‘Below The Belt’ For Men Fix Your Feet My Hands Hurt: From Elbows To Fingers Smart Digestion Biomechanics For Bad Backs Knees & Hips Minimize

The third installment of Stephenie Meyer's blockbuster vamp ... Read more

The third installment of Stephenie Meyer's blockbuster vampire series is its most action packed, both in terms of fight scenes and human-vampire-werewolf lovin'. In Eclipse, the vampiric Cullen clan and the werewolves--their sworn enemies--unite against an army of "newborn" vampires, whose remnants of human blood in their veins makes them stronger and more uncontrollable, causing a string of murders in the Seattle area. They've been created by the vengeful vampire Victoria (Bryce Dallas Howard, taking over for Rachelle Lefevre), still keen on destroying human Bella (Kristen Stewart). Thus, Bella is under careful watch, and her undead love Edward (Robert Pattinson) and werewolf best friend Jacob (Taylor Lautner) spend a lot of time arguing over who is the better man for her. (In one hilarious scene where Bella's freezing and only Jacob has the lupine body heat to warm her, he looks over at Edward and cracks, "I am hotter than you." Go Team Jacob!) But there's more at the heart of the triangle than love: Bella, against Edward's warnings, doesn't want to grow older than him and would willingly give up contact with her parents, the chance to grow old with children, and more to be turned into a bloodthirsty vampire. (Jacob's trump card is that Bella wouldn't have to give up her mortality to be with him.) But the unfolding of this love triangle is even clumsier than it was on the page; you're never really convinced Bella has romantic feelings for Jacob, even during their climactic kiss on top of the mountain. This is likely to confuse non-readers of the book series, as Stewart emotes nothing that intones there's a real competition here (clearly, she's Team Edward). Pattinson, on the other hand, appears to have overcome his awkwardness to become a much cooler Edward; Howard, while missing Lefevre's mischief as Victoria, brings her own touch of soft-spoken manipulation; and Billy Burke, as Bella's father Charlie, continues to steal every scene he's in. The other Cullens also get far more play here, notably Rosalie (Nikki Reed), whose revealing back story is touching and tragic, and Jasper (Jackson Rathbone), who trains everyone in combat and who, halfway through the movie, adopts a sudden Southern accent that he didn't have before, once it's revealed he was a Confederate soldier (on a side note, it's mentioned in the books that Jasper can calm the emotions of others, but that trait isn't used in the movie). The climactic fight scene is well staged by director David Slade (30 Days of Night, Hard Candy); the violence, while not bloody, is still more abundant and disturbing than in the previous films; and the sex, while not actually happening between anyone (yet), is certainly on everyone's mind (but Edward wants to get married first). It seems the characters, and the series, are growing up. --Ellen A. Kim Minimize

Last paired up for Brokeback Mountain, Anne Hathaway and Ja ... Read more

Last paired up for Brokeback Mountain, Anne Hathaway and Jake Gyllenhaal reunite for this romantic take on Jamie Reidy's Hard Sell. The story takes place in the 1990s when a certain blue pill made its debut. Gyllenhaal's Jamie, a smooth-talking pharmaceutical rep, meets Hathaway's Maggie, an aspiring artist, while trying to persuade her physician (Hank Azaria) to carry Pfizer products. The attraction is instant, but Jamie prefers the thrill of the chase to anything more meaningful. While he and his partner (Oliver Platt, Azaria's Huff co-star) work on a transfer from Ohio to Illinois, Jake and Maggie's fling develops into a relationship. On the comic side, Jamie battles with a rival rep (Gabriel Macht), switches from Zoloft to Viagra, and gains a roommate in his socially inept brother (Josh Gad, good value). On the dramatic side, he gets a glimpse of Maggie's world, which involves trips to Canada for medication and the temporary loss of motor skills (the screenplay fails to explain how she can afford such a spacious loft). Not counting shows like Thirtysomething, Edward Zwick remains best known for docudramas like Defiance, and Love and Other Drugs marks a new direction. The dialogue is snappy and the actors are game--both show a fair amount of skin--but the two halves of the film make for an awkward fit. Still, it's nice to see Gyllenhaal cut loose for a change. If Hathaway gives a more self-conscious performance, she brings the requisite amount of spirit and dignity to her role. --Kathleen C. Fennessy Minimize